with the men, as if a line cuts us into two sections
one for the fragile, one for the solid
on the train you give up-you do
not only your seat to the women hand in hand with a child
or the man, half sighted, half dizzy. You leave
the way there are when there's roadworks
since when do you have to be mindful of the tiny details?
only when you look
carefully
bellow the surface
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